Conservation framing is the combination of knowledge and the use of quality materials. Your goal in conservation framing is to surround your piece with materials that will not only preserve it for years but for generations to come.
Materials
Conservation Matting
Conservation Backing
Conservation Hinging
Conservation Glazing
Finishing Touches
Conservation Matting
Matting can be the difference between a picture no one notices to a picture that draws you into a room. Not all mats are created equal and though mats can be quite decorative they serve a greater purpose. The mat’s most important job is to separate the glass from the art or document so that mildew or moisture that might form on the inside of the glass does not touch the piece, resulting in damage. When conservation framing you should always use mat board that is a museum quality rag mat or 100% cotton fiber. Using a mat board of lesser quality could result in irreversible damage. Photographs, watercolors and pastels are some examples of art that should always have a mat to separate them from the glass.
Conservation Backing
When we talk about backing, it’s not the back of the frame but what is supporting your art or document. What is behind your piece is just as important as what is in front of it. Conservation or acid-free foam board is the only way to go when it comes to backing your piece.
Conservation Hinging
Hinging is the process of attaching your art or document to the mat or backing. There are a few different types of hinging methods. It is the weight, size and structure of your piece that determines what is the best method to use. Some examples for mounting are Japanese hinges and archival photo corners. Your designer will be able to discuss with you the best mounting method for your piece.
Conservation Glazing
The quality of your glass is the finishing touch. Conservation Glass (UV Ray Protection) or Museum Glass are with out a doubt the best glazing to use. After your piece is framed it is still vulnerable to damage. Interior and exterior lighting can fad your piece. Unless you are hanging it in a closet, your piece, if left unprotected, will fad whether it receives a lot of light or not. Conservation and Museum Glass has the technology to block out those harmful rays that could damage your picture. Museum Glass is the most chosen for its ability to appear as if there is no glass at all. Museum Glass still offers the conservation benefits with out the reflective and non-reflective finishes. Conservation Glass on the other hand, is available in the reflective and non-reflective finishes. Your designer will be able to discuss and show you samples to help you decide what will work best for you and your piece.
Finishing Touches
All pieces that are framed by Total Framing are finished off with a black dust cover and hanging hardware provided. We make sure that the appropriate hanger and hanger size is installed so that you have no worries when it comes time to hang!